*Recommended to sumi painting drawing writing and watercolorist artists. * It does not have the strong ink smell. *It is a permanent, stable ink. It cannot be re-wetted or reused once it dries. For grey tones simply lighten with added water. * This bottled Sumi ink for calligraphy and brush painting. * After using, the brush can be easily rinsed by dipping in water.
Made in Germany, Schmincke Norma Professional Oil Paints are environmentally friendly in both their formulation and production. Creamy, buttery consistency demonstrates the best properties with mixing paints together and producing the optimum texture Use of renewable raw materials (pure high-quality plant oils) Shorter and even drying process across all colors guarantees a brilliant resistant surface Highest light fastness (4 and 5 stars); Set includes brush and charcoal stick Set of 8 x 20 ml: 114 – titanium white, 236 – lemon yellow, 312 – cadmium red mix, 318 – madder red, 418 – Prussian blue, 502 – chromium oxide green brilliant, 600 – raw light ochre, 704 – ivory black
Schmincke AERO COLOR Fluid Acrylic is a low viscosity, liquid acrylic formula. It is the least viscous product in the Schmincke acrylic range. AERO COLOR can be applied by spray gun, brush, re-touching pen, or dipping brush. It is possible to use the AERO colours pure or to spray them after they have been thinned with water. AERO COLOR Fluid Acrylic dries waterproof and lightfast.AERO COLOR Professional can be used on papers and cardboards as well as non-absorbent surfaces such as film, hard plastics, canvas, and (after preliminary treatment) metal.
Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).
ellylike medium for “soft” painting with oil colors. Improves flow and reduces brush stroke; accelerates drying highly; increases gloss and transparency. There is no change of the product quality based on the color change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use. Dosage: 10 to max. 20%.Thinner: Turpentine substitute
Acrylic paste of a tightly pasty consistency. Dries white and coarse to a less absorbent surface. For structuring, modeling guest designs, especially on rigid surfaces such as primed wood. The dried structures can be processed with very fine sandpaper or a knife. Diluent: water
Acrylic paste of a tightly pasty consistency. Dries white, silky gloss and smooth to a less absorbent surface. For structuring, modeling guest designs, especially on rigid surfaces such as primed wood. The dried structures can be processed with very fine sandpaper or a knife. Diluent: water
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.
Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.