Hahnemuhle

DiaryFlex, the individual notebook by Hahnemühle that features interchangeable and replaceable content inserts. Several varieties of inserts including plain, ruled and dotted are available. No matter if used as a sketchbook or a notebook: the 160 pages offer enough room for all of your thoughts and ideas. The natural white 100gsm paper is perfectly suited for fountain pens, pens, fine-liners or pencils. The cover is classically exclusive and robust at the same time and also protects the contents of DiaryFlex perfectly. Even when you've filled your DiaryFlex with your creative thoughts and ideas, there is no need to say farewell. You can fill again and again with the various replacement booklets on offer. Just pull the note booklet out of the cover and replace with either a plain, ruled or dotted pack.

With its hard wearing stitched binding, the 40-page Sketch & Note makes the ideal travel companion. The full-grain natural-white 125 gsm paper is perfectly suited for drawings and notes with pens of any kind. Sketch & Note is available in two-copy bundles in two sizes - A5 for your backpack and pocket-sized A6.

With its hard wearing stitched binding, the 40-page Sketch & Note makes the ideal travel companion. The full-grain natural-white 125 gsm paper is perfectly suited for drawings and notes with pens of any kind. Sketch & Note is available in two-copy bundles in two sizes - A5 for your backpack and pocket-sized A6.

Made with the finest golden synthetic fibre which results in a combination of great elasticity and durability. Ideal for working on rough surfaces. Da Vinci Nova Flat Oil Brushes Series 1870 are very popular and proven brushes for oil painting but are also ideally suited to translucent acrylic painting. Da Vinci Nova Flat Oil Brushes Series 1870 have extra fine golden synthetic fibres. They have exceptional elasticity and far exceed the lifetime of natural hair brushes, even on rough surfaces. The brushes have long green lacquered handles and seamless silver ferrules.

Χαρτί ακουαρέλας υψηλής ποιότητας. Περισσότερες πληροφορίες παρακάτω.

Χαρτί ακουαρέλας υψηλής ποιότητας. Περισσότερες πληροφορίες παρακάτω.

Hahnemühle Watercolour 300 and 640 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality.The prized cotton papers, Watercolour 300 and 640, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques.The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.

Hahnemühle Watercolour 300 and 640 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality.The prized cotton papers, Watercolour 300 and 640, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques.The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.

Hahnemühle FineArt has designed this special paper for Japanese Sumi-e painting. This very absorbent paper is ideal for “freestyle” brush painting. “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines. Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy. Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. 20 sheets - 80gsm.