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Sharpie Creative Acrylic Markers for painting on light or dark surfaces, ideal for materials such as metal, wood, ceramics, glass, stone, canvas and more. Water-based ink does not bleed through the paper, keeping your lines tight. Bright colors allow you to make vivid creations on light and dark surfaces on paper, metal, wood, ceramics, glass, stone and canvas. Colors can easily be layered to give your work more depth. Plus, you don't have to shake them - just pop the lid off and get started! Packaging 5 Colors.

Sharpie Creative Acrylic Markers for painting on light or dark surfaces, ideal for materials such as metal, wood, ceramics, glass, stone, canvas and more. Water-based ink does not bleed through the paper, keeping your lines tight. Bright colors allow you to make vivid creations on light and dark surfaces on paper, metal, wood, ceramics, glass, stone and canvas. Colors can easily be layered to give your work more depth. Plus, you don't have to shake them - just pop the lid off and get started! Packaging 12 Colors.

Sharpie Creative Acrylic Markers for painting on light or dark surfaces, ideal for materials such as metal, wood, ceramics, glass, stone, canvas and more. Water-based ink does not bleed through the paper, keeping your lines tight. Bright colors allow you to make vivid creations on light and dark surfaces on paper, metal, wood, ceramics, glass, stone and canvas. Colors can easily be layered to give your work more depth. Plus, you don't have to shake them - just pop the lid off and get started! Packaging 5 Colors.

Natural hog hair fan brush.

Natural hog hair fan brush.

Adigraf Oil Block Printing Inks use high-quality pigments creating professional quality printing inks perfect for all high-pressure techniques including block, woodcut and lino printing. Adigraf Oil Block Printing inks are more durable than water-soluble colours and need to be left to dry overnight before overprinting. 5 colours are available.

With a smooth flow and creamy texture, they can be used on a variety of surfaces from paper and card to canvas, and don’t need fixing.

Is made of melted charcoal and arabic gum. The particles of charcoal are small and have the richest black tones, which enables to create any work just then same as with a water-based paint. As the charcoal particles are larger than other pigments used in watercolors, the effect you get is graininess. It can be effected by more rough paper used and by the amount of water added. When dry it is matt and will have varying areas of texture and granulation. As the arabic gum is a good re-soluble medium it allows to re-use Charcoal Water, similarly to watercolor paints. Main features: - perfect for both bold as well as for delicate works - suitable for artists who draw as well as for watercolourists, maybe used for drawing and painting - ideal as an extra paint for watercolour black shades, to enrich the palette of colours - huge range of tones you may create with one brush stroke, from velvet black to light grey, with blue and brown undertones - allows to create variety of texture and granulation - compared with black watercolour paint, shows difference in the pigment granulation, which is useful for special effects or for verying shades when mixed with other paints - can be water re-activated when dry - can be used wet or dry - can be applied with different brush and other paining tools as well as with fingers - can be used with any absorbent surfaces, such as watercolour papers, canvases and panels previously covered with watercolour ground. - for finished work safety it is recommended to use a fixative

Graphite in tube. It was made from ground graphite and gum arabic. Graphite has a slightly cooler shade of black than liquid carbon and does not granulate as much. Water-soluble graphite allows you to produce work with an effect similar to water-based paint. The graphite particles are slightly larger than other pigments used in watercolor. When dry, the graphite is matte.

Χρώματα: 101, 205, 326, 343 ,433, 563, 679 και 797

Can be used as a shimmering coating for acrylic colours or in any mixing ratio with transparent acrylic colours.

As coating for acrylic colours or in any mixing ratio with acrylic colours useable. Mat finish, can be partially or fully polished with a soft cloth.

Forms a white, semi-opaque, matt and elastic film; light-resistant and non-aging. Technique: oil, acrylics, gouache Application: gesso-primer is ready for use, may be thinned with water (max. 10 %) and should be applied 2-3 times with a brush on the surface. The temperature of the object should not be less than 8°C

Schmincke's AKADEMIE® Acryl color suits the needs of not only the ambitious beginner but also the demanding professional artist. These brilliant, intense and extremely lightfast colours form a sophisticated assortment that includes three shades of white and special effect colours (including gold and silver). All the colours are created without cadmium pigments. Further advantages of this range are the completely waterproof drying, the long open time of the colours and a pleasant odour.Contains 8.

This crystal clear fixative suits as a fixative for pencil, charcoal, pastels, watercolours, ink, tempera, photos, prints, acrylic and oil colours. Due to the well-known acrylic resin Paraloid® B72 (often used in restoration) it has tightening and protecting characteristics and is also suitable as final varnish. It is highly lightfast, age-resistant and non-yellowing. Depending on the painting surface you will achieve an invisible fixation (on absorbent surfaces) or a semi-matt/ slightly glossy film (on non-absorbent surfaces). AEROSPRAY B72 has to be sprayed for several times from a distance of 30 - 40 cn from left to right and top to bottom (only in well-ventilated rooms). It contains solvents and must not be inhaled.

Colours: 100 200 300 400 700

The CL-369 Gaia by Cappelletto is a Sustainable Lyre Easel, made of oiled beech wood. Sustainability: The innovative and patented design employs attractive curves and protrusions to further enhance the stability of your canvas. Created for Sustainability, the Cappelletto CL-369 Gaia features 12% more renewable wood and 83% less chemical treatments. This goals are achieved thanks to the reduction of metal parts to a minimum. Functionality: Compared to other products in the same range, this easel features an innovative canvas-holder. It is characterized by an adjustment knob with an ergonomic and functional design, entirely made of wood. The shaped partitions and shelf bring both functional and aesthetic improvements, creating harmony of shapes and soft, elegant lines. This method allows the canvas to rest coplanar on the central and lateral rods. The artist can therefore paint with greater stability even on the external corners of the canvas. Capacity: The minimum height of the easel is 165 cm and maximum 230 cm. The canvas holder shelf is adjustable in height, from a minimum of 25 cm to a maximum of 96 cm. Thanks to the wooden rack system and the wooden spring ratchet the adjustments are even smoother. It can hold canvases up to 4.5cm thick and 130cm high. Adjustments: The inclination of the central rod is adjustable via a rear system of wing nuts. Three support points on the ground provide safety and stability. For this reason, the sustainable design lyre easel proves to be suitable for use both in indoor environments (ateliers, museums, galleries, theatres, cinemas, conference rooms, painting workshops, schools, libraries, hotels, restaurants, bars, exhibition stands ), and external (squares, terraces, gardens, parks). Use: The CL-369 Gaia is an optimal support for paintings, canvases, posters, brochures, books, catalogues, menus, blackboards, artisanal and artistic artefacts. The CL-369 Gaia easel proves to be an indispensable work tool for the professional. When not in use, it can be folded back on itself with a single easy movement, until it takes up minimal “space-saving” space. Accessories: The easel is designed for the application of the Cappelletto optional accessories, for further storage space (easel trays ET-1 and ET-2) or to provide a handy container (CA-4 and CA-6 portable colour boxes) to be applied by a simple connection system without screws. The CL-369 Gaia sustainable lyre easel comes in an assembly kit, accompanied by easy instructions.

The set contains chisel 301, 304, 306, 308 and 309.

Varnish for technical water-colour proceedings. Protects against dust and humidity. Glossy; colourless; non-yellowing; very fast drying; based on alcohol. (Attention: don´t mix with varnishes based on mineral spirit; brushes to be cleaned with alcohol; intensifies colour tones and increases transparency of watercolour papers!) For fixator/atomizer!

Whether you are throwing clay on the wheel, hand building or sculpting, the pottery rib is a classic and essential tool. It acts as an extension of the potters hand to create shapes and surfaces that fingers alone can not achieve.

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal