New arrivals

Schmincke Horadam Juicy Orange metal case. 15 medium watercolour pans, 1 Da Vinci No. 2 round brush and 9 empty slots to personalise your range. Colours with excellent lightfastness and easy rewetting. Includes a mixing area and palette.

Schmincke Horadam Limited Edition Ginkgo metal palette box. 20 medium-sized godets and 4 empty slots to personalise the palette. Includes 12 standard shades and 8 super-granulated shades, with mixing areas and a lid decorated with artwork by María Botella.

Schmincke's AKADEMIE® Acryl color suits the needs of not only the ambitious beginner but also the demanding professional artist. These brilliant, intense and extremely lightfast colours form a sophisticated assortment that includes three shades of white and special effect colours (including gold and silver). All the colours are created without cadmium pigments. Further advantages of this range are the completely waterproof drying, the long open time of the colours and a pleasant odour.Contains 10.

Schmincke's AKADEMIE® Acryl color suits the needs of not only the ambitious beginner but also the demanding professional artist. These brilliant, intense and extremely lightfast colours form a sophisticated assortment that includes three shades of white and special effect colours (including gold and silver). All the colours are created without cadmium pigments. Further advantages of this range are the completely waterproof drying, the long open time of the colours and a pleasant odour.Contains 20.

College® Acrylic is a solid basic assortment for price-conscious users, without renouncing the proven Schmincke quality “Made in Germany”. The colours have a good opacity or translucence, depending on the individual pigmentation. They can be mixed well with each other and with all other Schmincke acrylic colours, dry quickly and are waterproof when dry. It is easy to learn how to mix colours with the three primary colours of yellow, magenta and cyan, and countless additional colours can be created to complement the palette. Contains 10.

This pad is recommended for all drawing techniques. The Fabriano 1264 Drawing pad features a medium-textured soft white paper whose silky finish allows for fine details. Weight or thickness 180 gsm Available in 2 sizes. Short side spiral bound “true-size”: 14,8x21 cm, 21x29,7 cm

FABRIANO 1264 BLACK DRAWING PAPER A5 200GR PAD The Fabriano 1264 black drawing pad contains black drawing paper with a natural, light grain. The 200 gm2 drawing paper has a pleasant surface that allows for fine details. It is suitable for all drawing techniques and enables brilliant black and white drawings and enhances the contrasts of coloured drawings.

The PC-5BR is a semi-flexible brush tip combining fluidity and precision to create fine to thicker lines. Fine lines to broader stokes, the PC-5BR can create a 1-4 mm thickness depending on the pressure applied to the tip. With a good grip and a confort of use, the ink glides on smoothly, as if drawing was instinctive. The PC-5BR can be used on all surfaces with confidence thanks to its reversible tip.

Impasto can be mixed with any pigment to obtain any watercolor color. It also acts as a thickener for tubed watercolor paints. It limits color flow and improves gloss. It increases the adhesion of lightweight collage materials such as textiles, silk, paper, pigments, and sand. The collage effect weakens with greater dilution. Impasto remains water-soluble.

Aging Patinas - a white spirit-based patina for creating patinas that imitate natural tarnishing. To achieve the aged effect, apply a thin layer of patina using a soft, but not fluffy, cloth, brush, or sponge. Best results are achieved when the items are first painted with a primer, e.g., metallic. The patina dries in about two days, and the item can be varnished if necessary. Also useful for aging frames or creating a shabby chic look.

The ‘Concept Watercolour Joy’ watercolour paper pad comes with 50 sheets and is available in A4 or A5 format. The number of sheets offers enough paper for various projects, whether an extensive series, creative experiments or entire art projects – at a price that will delight you. With a weight of 300 gsm, the natural white watercolour paper provides a first-class base for colourful, expressive motifs. The cold pressed, slightly textured surface makes colours shine – whether delicate colour gradients or intense details – this paper turns every idea into an experience. Thanks to its surface-sized structure, ‘Concept Watercolour Joy’ takes up colour brilliantly. Whether watercolour, gouache, acrylic, ink, fine liner or watercolour pencils – anything is possible. The sizing at the head ensures that works can be easily removed and presented in style. Hahnemühle ‘Concept Watercolour Joy’ watercolour paper impresses with its high quality at an attractive price. Like all Hahnemühle papers, ‘Concept Watercolour Joy’ is vegan, age-resistant and acid-free.

Colourful flower wreaths, blooming landscapes, distant galaxies, or a delicious bowl for lunch - all these beautiful motifs can be painted on the Round Watercolour Paper from Hahnemühle. The round paper takes artists out of their comfort zone, expands their minds, and makes creative hearts beat faster. The attractive box with a beautiful motif by French artist Jennifer Lefèvre securely encloses and protects the 30 watercolour sheets, whether painted or unpainted, from dirt and moisture. Featuring Expression watercolour paper made of 100% cotton suitable for watercolour painting, gouache and acrylic. Colours stand out excellently on the surface and give each motif its own unique look. Masking tape and masking fluid can be used and easily removed without leaving any residue. With 300 g/m² and a diameter of 13 cm, the round watercolour paper is also perfect for creating custom mobiles. Like all Hahnemühle papers, the Round Watercolour Paper is vegan, acid-free and age-resistant.

The new Hahnemühle Masking Tape is perfect for leaving out a frame or free areas in a picture. It does not let any water through and can be painted over with watercolours without any problems. Afterwards, the tape can be removed cleanly and without leaving any residue and leaves exact colour edges. With a length of 20m, the Hahnemühle tape is very productive. Our tip: Despite everything, do not pull the tape off jerkily to ensure the best results. Slowly and at a flat angle has proved successful in our tests! We also recommend using masking tape on surface-glued papers. Papers with structure are uneven and can therefore be more sensitive. The Hahnemühle masking tape is vegan and acid-free.

Create beautifully designed bookmarks and put a smile on your face or that of a loved one with a very personal gift. The Hahnemühle bookmark pad is for all creative people. With pre-cut bookmarks you can get started straight away, there is no need for tedious cutting from a standard sheet of watercolour paper. This heavyweight 100% cotton 300 gsm watercolour paper is highly absorbent and can hold several layers of watercolours. It is also a perfect basis for self-designed collages that can be created on bookmarks instead of a painted picture. Featuring the popular Hahnemühle “Expression Watercolour” paper which is surface sized and has a cold pressed structure. Perfect for watercolour, gouache, acrylic, or fine liners. The surface sizing makes it easy to use masking tape and masking fluid without tearing the paper surface. The pad is glued to the top and contains 15 bookmarks in 5,5 x 20 cm format and can be used in portrait or landscape orientation. Sceneries or animals such as whales can be created in landscape format, while floral motifs adorn the bookmarks in portrait format. There are no limits to its use. Be creative.

A highly durable, new-generation paper designed for AURA alcohol-based inks. Available in 170g and in 72cm x 51cm sheets. AURA paper is a synthetic material with the properties of a very smooth, matte off-white paper. A double-sided coating makes the paper waterproof and prevents it from warping when used with inks. Durable and tear-resistant, it is suitable for many mixed media techniques, beautifully capturing the color of the applied ink. It allows for work with a variety of media and pigments, allowing for unique effects.

A thick liquid based on non-yellowing alkyd resin derived from linseed oil. It improves clarity and depth, and adds shine.

Hog bristle, width 49mm

The robust, structure-free surface of Hahnemühle Square Bristol allows you to work with dry or liquid drawing media. Pencils, ink pens, nibs, fineliners and acrylic markers glide evenly over the smooth surface. The Square pads are particularly suitable for small works of art and greetings cards.

The robust, structure-free surface of Hahnemühle Square Bristol allows you to work with dry or liquid drawing media. Pencils, ink pens, nibs, fineliners and acrylic markers glide evenly over the smooth surface. The Square pads are particularly suitable for small works of art and greetings cards.

Leather Notebook Odyss 11.5 × 18 cm – Genuine leather cover, consisting of a 120-page sewn notebook (125 GSM) and 6 cards (300 GSM). Handmade paper, ivory color, 100% cotton. Landscape format. Handmade in India. Odyss is a robust and portable journal. Its refillable leather cover is equipped with a rear strap that keeps the journal flat in the hand, allowing comfortable standing and mobile use. Its inner notebook *, with sewn binding, includes 120 pages with a fine grain and good density, suitable for pencil, pen, markers, and dry techniques, as well as light washes. The cover also holds 6 loose cards intended for more demanding techniques and finished artworks to be kept or displayed. Handmade paper, 100% cotton — internally sized — cold pressed — ivory tone — round mould made — produced from recycled local textile offcuts. * Inner notebook available separately under reference LLJ180.

Leather Notebook Odyss 13 ×21cm – Genuine leather cover, consisting of a 120-page sewn notebook (125 GSM) and 6 cards (300 GSM). Handmade paper, ivory color, 100% cotton. Landscape format. Handmade in India. Odyss is a robust and portable journal. Its refillable leather cover is equipped with a rear strap that keeps the journal flat in the hand, allowing comfortable standing and mobile use. Its inner notebook *, with sewn binding, includes 120 pages with a fine grain and good density, suitable for pencil, pen, markers, and dry techniques, as well as light washes. The cover also holds 6 loose cards intended for more demanding techniques and finished artworks to be kept or displayed. Handmade paper, 100% cotton — internally sized — cold pressed — ivory tone — round mould made — produced from recycled local textile offcuts. * Inner notebook available separately under reference LLJ181.

The Carving Block engraving plates are designed to be used for artwork and arts & crafts. A flexible, soft vinyl sheet for engraving techniques. Their smooth surfaces allow for easy and clean incisions with gouges for printing patterns on both sides. The carving block allows the outlineto be precisely defined, adding details in different thicknesses. The block is easily washed after use and can be reused. The block does not contain phthalates or heavy metals. The use of solvents can harm the block. Carving block measurements: 9x15cm, 15x28cm, 22x30cm, thickness 6mm.

Gel printing plates from Gelli Arts are a convenient way to transfer images created using screen printing, linocut, or direct-to-plate techniques to a variety of surfaces, including burnished clay and bisque-fired ceramics. They have a soft, flexible structure similar to gelatin, but are durable and reusable. They can be stored at room temperature and cleaned easily. Always ready to use, they open up endless creative possibilities! The plates with size 12,7 x 12,7, 12,7 x 17,8 and 20,3 x 25,4 are sold in individual sheets with a protective cover while the size 22.90 x 30.50 is contained in a hard case.

Adhesive tape, ideal for watercolors, made from rice paper, acid free. Ideal for stretching your watercolor paper, but you can also use it as masking tape to create reserves in areas. It is not necessary to wet the tape before use. It is easy to remove without damaging the paper surface. Never remove the tape with a tug. It is always advisable not to leave the adhesive tape on longer than necessary. Golden color. Low adherence.

Graphite paper that is wax-free, greaseless and has a lighter coating than regular transfer paper. Leaves erasable marks. 45,7 x 61cm sheet.

A fine silver marker with 99.99% pure silver delivers exceptionally sharp and durable lines on a wide range of surfaces. The highly pure silver core deposits clean silver traces that remain visible without smudging or dust. – 99.99% pure silver core – Clean, fine and smudge-free markings – For clay, ceramics, plaster, metal & polished surfaces – Ideal for sketching, engraving outlines & model making – Durable, break-resistant & designed for precise control – Works without pressure and without residue