New arrivals

Frégate Leather Journal 13x17.5cm approx. – Leather cover. Rechargeable inside, 200 sewn pages of handmade rag paper: 100% cotton, bistre color. Handmade in India. • Pure Rag Paper • Made from 100% cotton fibers, obtained through the recycling of textile scraps from local industries •

Segment Notebook 21x21cm approx. – 72 deckle-edged pages of handmade rag paper, 100% cotton, handmade, white. Paper cover worked with cotton threads. Handmade in India.

Liasse Trésor - 15x21cm env. - 84 pages of white paper, 100% cotton rag, handmade. It's cover is printed and than highlighted by hand with golden dots. Handmade in India.

Agile Notebook – 12.5x16.5 cm approx. – Paper cover, 52 cream-colored sewn pages. 100% cotton handmade paper. Handmade in India. This notebook consists of a hand-screen-printed paper cover, a sewn binding, and 52 pages of dense handmade paper, perfect for writing and drawing. • Pure Rag Paper • Cream tone • Cut edges • Made on a round mold, from 100% cotton fibers, obtained through the recycling of textile scraps from local industries •

Ento Bundle – 15x21 cm approx. - 96 deckle-edged pages of handmade paper, 100% cotton, in 3 colors. Sewn binding. Fine cover with motif. Handmade in India. Just like the Pure Rag Paper it is made from, this bundle is entirely handcrafted. Its sewn binding combines three colors of paper, and its soft cover, in Gray or Tan, is printed with a motif — Beetle or Dragonfly — enhanced by hand with golden touches.

Ento Bundle – 15x21 cm approx. - 96 deckle-edged pages of handmade paper, 100% cotton, in 3 colors. Sewn binding. Fine cover with motif. Handmade in India. Just like the Pure Rag Paper it is made from, this bundle is entirely handcrafted. Its sewn binding combines three colors of paper, and its soft cover, in Gray or Tan, is printed with a motif — Beetle or Dragonfly — enhanced by hand with golden touches.

Sisal Naturel 120 gsm approx. – Sheet 55x75cm approx. Natural Sisal fiber paper, vat-made, deckle edges. Handmade in India. Sisal natural fiber has long been valued for its strength, especially in the making of rugs, textiles, and ropes. Derived from agave cultivation, it is renewable. Here, we have made it into a fairly lightweight, beautifully translucent paper with a natural look. Its surface, animated by longer, slightly pearlescent fibers, makes it ideal for various projects: Framing - Lighting - Décor - Binding - Box making.

Gold Greenery - 50x75cm approx. Fine Lokta natural fiber paper, deckle edges - gold print. Handmade in Nepal.

Adigraf Oil Block Printing Medium transforms traditional oil paints into vibrant, high-quality inks ideal for block, lino, and relief printing. Designed to be mixed with Georgian Oil paints at a ratio of 1.5 parts medium to 1 part paint, this medium offers a convenient and cost-effective way to create bespoke printing inks without purchasing a full set of specialist colours. Allow prints to dry for 3-5 days before overprinting to achieve the best results. Made in the UK, it enables artists to explore oil-based block printing with ease and confidence.

Gouache Renesans 12 Colours, 20ml. Renesans GOUACHE Extrafine is easy to use and has a great covering power. In addition to pigment, the production of gouache involves kaolin and other raw materials to make the paint very soluble. Our gouache is held together with gum arabic and produces a thick, opaque layer on dry or wet paper. Contains the following colours: Contains the following colours: Titanium white, Naples Yellow reddish, Primary Yellow, Magenta, Raw Sienna, Carmine, Phthalo cyan blue, Ultramarine, Burnt Sienna, Emerald green, Violet, Black.

Gouache Renesans 5 Primary Colours. 20ml. Renesans GOUACHE Extrafine is easy to use and has a great covering power. In addition to pigment, the production of gouache involves kaolin and other raw materials to make the paint very soluble. Our gouache is held together with gum arabic and produces a thick, opaque layer on dry or wet paper. Contains the following colours: Titanium white, Cyan, Magenta, primary yellow, Black.

Completely odorless, this powerful thinner is ideal for use in confined spaces and for allergy sufferers.

This powder can be used in two ways: by applying it to the paper before painting, it will have a similar effect to masking fluid – the first layer should be painted immediately after applying the powder. The second method is to apply it by sprinkling it on a wet watercolor surface and then gently rubbing it in. In both cases, a pleasant, irregular rubbing effect will be achieved, as the powder has hydrophobic properties. Areas covered with the powder remain white, similar to masking fluid, revealing the texture of the paper. However, the covered areas can be easily erased with an eraser and then re-coated with watercolors.