Painting

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Ready-to-use binder for easy grinding of translucent water-colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

Τερεβινθέλαιο, φιλτραρισμένο και ραφιναρισμένο για την αραίωση λαδιών, βερνικιών και ρητινών.

Mixture of solvents with similar properties to turpentine oil (50024, 50102). Gentle odour. Thinner for oil colours, oil panting mediums and varnishes based on mineral spirit; not mixable with varnishes based on alcohol; solvent for dammar resin, but not for mastic resin.

Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.

Product works more efficient than oil of turpentine (50024, 50102) or turpentine substitute (50019). Apply varnish remover with a soft lint-free cloth to a small area; moisten the varnish with lightly (!) rotary motions and take it off carefully with the cloth. Observe the softening process of the colour layer. Pre-tests before use!

Protective lacquer for paintings in acrylic. Μatte, clear; colourless; non-yellowing; age-resistant; dilutable with slovent of turpentine, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Satin glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. ( ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Προστατευτικό βερνίκι για ακρυλικά σε σπρέι. Γυαλιστερό, διαφανές, ελαστικό. Δεν κιτρινίζει και προστατεύει από την UV ακτινοβολία και τις καιρικές συνθήκες. Στεγνώνει γρήγορα.

Final varnish with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final varnishes with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final fixative to protect water-colour paintings from humidity and dust based on alcohol. Colourless; non-yellowing, age-resistant; fast drying. (Hint: May increase transparency of water-colour papers!)